b. 1990, Prince Rupert BC
they/he pronouns

Whess Harman is a member of the Carrier Wit’at Nation, a nation amalgamated by the federal government under the Lake Babine Nation and currently resides on the traditional territories of the Musqueam, Squamish and Tsleil-Waututh peoples. He doesn’t like cops and believes in land sovereignty for Indigenous peoples all across the globe, including Palestine. In his arts practice he works primarily in drawing, text and textiles. As the curator at grunt gallery and occasional editor and contributor to a variety of small publications, he prioritizes emerging queer and BIPOC cultural workers and artists.

While working through many mediums, Whess is often working through ideas of queer comfort and joy and the conditions that do or do not exist to facilitate that, and works from the foundation of his identity as a queer, trans member of Carrier Wit’at nation living away from his territories. He considers his Indigeniety to be both a cultural and spiritual reality, as well as a political identity. Though he considers many of his projects imperfect, he’s both willing to and does not consider himself exempt from continuing to think and work through these intersections in the hopes of finding a path to liberated futures alongside the many who share rage and despair at the many injustices and violent escalations against those oppressed by colonial power, and who are also struggling under the unrelenting crush of capitalism and the systems that maintain and protect it.